Form and Analysis
Guide to Analysis
- Texture
- Medium: voices or instruments or both; What kinds? How many?
- Timbre: specific instruments, range and tessitura, types of articulation
- Voice parts:
- Homophonic
- Chordal: familiar style, note against note (chorale)
- Melody w/accompaniment: sustained chord, repeated chord, arpeggio,
etc.
- Polyphonic (contrapuntal)
- Imitative
- Dialogue (give and take)
- Monophonic
- Rhythm
- Metric Framework: metrical, changing meters, polymetric, non-metric,
mixed meter
- Durational Patterns: note values, motives, repetition, devices used
(hemiola, syncopation)
- Rhythmic relationship of parts: 1:1, 2:1, etc.
- Tempo
- Significant patterns
- Melody
- Interval Structure (conjunct or disjunct or mixed)
- Character: lyric or dramatic; cantabile or instrumental
- Dimensions: vertical (narrow or wide range) or horizontal (long lines
or short fragments)
- Diatonic or Chromatic
- Ornamentation: embellishment, coloration, figuration
- Form
- Phrase Form: how many phrase; relationship (aba, abb, etc.)
- Large-scale Form (types of design):
- Sectional (binary, ternary, rondo, free)
- Variational: theme and variations, passacaglia, chaconne, ground bass
- Fugal: fugue, invention, motet, madrigal
- Developmental: sonata-allegro, sonata-rondo
- Through-composed
- How is the large-scale form established?
- Tonality
- Scale Basis
- Key Scheme
- Atonality
- Modulation (location, method)
- Harmony
- Sonority Types (tertian, non-tertian, mixed)
- Relationships (functional, non-functional)
- Nonchord Tones
- Harmonic Rhythm
- Harmonic progressions
- Cadence Types
- Miscellaneous
- Orchestration (or vocal distribution)
- Dynamics
- Coloristic effects: pizzicato, tremolo, harmonics, mutes, etc.
- Rests
- Text
- Programmatic Considerations
Unit 1