Rondo
- Forms:
- 5-part rondo - A B A C A
- 7-part rondo - A B A C A B A
- Each "A" section (the Rondo theme) is in the tonic key
- The Episodes are typically in closely-related keys
- In 7-part rondo, the return of "B" is often times in the original tonic
- Characteristics of the Rondo theme (the refrain):
- The Rondo theme is usually a closed form, some type of periodic structure or small-part form (often binary). It ends with a perfect authentic cadence.
- Each successive statement of the Rondo theme is often varied or abridged.
- The theme will have easily recognizable features, both melodic and rhythmic.
- There may be some form of transition between the Rondo theme and the next section.
- Characteristics of the Episodes:
- Episodes are contrasting sections separating statements of the Rondo theme. These can be either thematic or developmental.
- Episodes a usually in closely-related keys. Typically, the first episode will be in the key of the dominant or the relative major.
- There may be motivic or thematic connections between the episodes and the Rondo.
- The second episode is usually in a different key than the first episode.
- There may be a retransition between an episode and the Rondo theme that follows.
- Coda:
- A Coda may be one long unit, or divided into smaller sections.
- A Coda usually tonicizes a key other than tonic, frequently the subdominant.
- Analytical considerations:
- What is the large-scale tonal scheme? What is the tonal relationship between the episodes and the rondo theme?
- What is the form and design of the Rondo theme (thematic, rhythmic, harmonic, etc.)?
- What is the formal design of each episode? Are there any motivic connections between episodes, or between each episode and the Rondo theme?
- What is the nature of any transition or retransition? How are the modulations effected? Are any developmental techniques used?
- What is the design of the Coda (if present)? Are there any connections to previous material?