| CC1 | A Guide for Analysis: SHMRTFO |
| CC3 | Music Theory Quick Facts Sheet |
| CC6 | Key Signatures and Relationships |
| CC7 | Triads |
| CC9 | Instrument Transpositions |
| CC11 | An Introduction to Four-Voice (SATB) Writing, Figured Bass Guidelines |
| CC18 | Harmonic Rhythm, Cadences, Texture |
| CC24 | Triads, Melody Harmonizations, Inversions |
| CC38 | Non-Chord Tones, V7 Chord |
| CC48 | Harmonic Progressions |
| CC51 | Structural Analysis and Harmonic Levels, Reductions |
| CC57 | Diatonic Seventh Chords, Jazz Chord Symbols |
| CC60 | Secondary Dominants and Secondary Leading Tone Chords |
| CC65 | Modulation and Key Relationships |
| CC74 | Borrowed Chords |
| CC75 | Neapolitan Chord |
| CC76 | Augmented Sixth Chords |
| CC78 | Chromatic Modulation and special Uses of the o7, N6 and +6 Chords |
| CC103 | How Tonality Works, Phrase and Period Structure, Formal Design |
| CC108 | Binary and Ternary Forms |
| CC114 | Variations Form |
| CC117 | Structural Functions, Transitions |
| CC124 | Rondo Form |
| CC126 | The Sonata Idea (Sonata Form) |
| CC131 | Concerto Sonata Form |